Linsoul KZ ZS10 Pro, 4BA+1DD 5 Driver in Ear Monitor, HiFi Wired Earbuds, Gaming Earbuds, Hybrid IEM Earphones with Stainless Steel Faceplate, Detachable Cable for Musician(Without Mic, Black)

I've been using these for about a year and a half, and they're the best earbuds I've EVER used. I'm very picky about the sound of headphones, as I'm a casual music producer. These have a very balanced and accurate sound from my experience. I have heavily pierced ears (9 on my left, 3 on my right) so over-ear headphones are not an option for me anymore, unfortunately. These absolutely fill the void left by them, however.For producing music, the audio is clear & accurate. For listening, they cover everything you'd need them to. They fit in my ear well, and have a few different size options. As time goes on, the buds do tend to fall out and get stuck in my ear, but after a year or two it is probably a good idea to update them anyway.The BEST part about them though, by far, is that you can buy a bluetooth adapter separately and use them wired or wireless. And for the audio quality & price, it's absolutely so worth it. These are such a good price as well, that if they ever break or need replacing, I wouldn't be opposed to just buying the same ones seeing as, compared to really good blue tooth earbuds, they come in at a great price.Highly recommend these, or really any good IEM earbuds.

Very impressed for the price, considering what the 1more triple usually goes for, it's crazy to hear how good the more budget friendly stuff can be. With the usual price of the V80 and ED16, I'd say the ZS10 Pro is worth it.(Note: Using 1more Triple's silicone tips with a somewhat shallow insert depth and good seal. So the bass vent/port is unblocked):Really like the bass on these. To me it has only a slightly overdone mid-bass by maybe 1db. The lower/sub-bass is definitely not neutral, but it's great. I would call the bass closer to neutral if it was around -3db. The dynamic driver seems to have great resolution/speed compared to the other 3 sets I am used to (1more, V80, ED16), the ED16 has maybe 80% of the quality of the ZS10 Pro's dynamic driver, but the other two are just completely outclassed. Really nice impact here and the mids are still perfectly clear. "Bass texture" is not something I've really thought much about until hearing these but let's say the ZS10 Pro is a 9 out of 10, the 1more would have to be down at a 6/10 and the ed16 around an 7.5/10.The mids sound great to me. Treble is only elevated a bit compared to mids. I guess it would be called U shaped, but with a fullness in the mids so it doesn't feel recessed to me. (edit: Male vocals might be slightly recessed, but male vocals still the best of out these 4. Female vocals sound great, by far the best out of these 4 sets.)The ED16 were my favorites of the 3 sets mentioned, with various tips used to tame the sibilance and treble. But the ED16 had a thin sounding mid-range even though it wasn't overly recessed. The ZS10 Pro has a nice full body to the mid-range that sounds great versus the other 3. While the V80 (using tips to bring the treble down a ton) is similar vocal presence to the ZS10 Pro but the V80 is congested sounding.The highs are done really well. I have a handful of tracks that I check for sibilance and pierce; a problem on the ED16 and V80 but the ZS10 Pro are crisp and clean without overdoing it. To me it's just right, giving all the detail without any of the problems of ED16/V80, where the 1more is a bit dark even though it has extra energy in the upper treble. (again, using the 1more Triple tips [~5mm bore, about ~3mm extension from the iem nozzle] so I can't say how stock tips are because they don't fit unless I shove them in so far that the bass vent/port is blocked)Unfortunately I don't have any specific stuff to gauge imaging and/or soundstage. Comparing the ZS10 Pro back to back against each of the other 3, in general listening, it sounds like it justifies the price compared to ED16/V80. Separation seems like the best I've heard, picking out stuff that wasn't obvious in my listening before. (with the 1more Triple being just plain outdated compared to even the ED16.)-- Some extra info:I've used these with the 8-core TRN cable and stock cable, seems the impedance differences of these cables makes the highs a bit sharper on the TRN 8-core, so I've settled on the stock cable. I'm mostly running this out of a Fiio Q1 with an old Sandisk E260 feeding the Q1. Due to the high sensitivity I can hear just a tiny bit of noise off the Q1, but no where near enough to be distracting.Listening to stuff like: NIN/HTDA ('99-now), CHVRCHES, HEALTH (2015-now), billie eilish, gorillaz, audioslave, linkin park (2007-now), Oh WonderThe nozzle size on these is the Comply T400 size. Spinfit cp145 goes on just fine. Nice lip on the end of the nozzle, holds the tips nicely.Seems to sound great no matter what tips I throw on. Cheap foams, to 1more's custom foams, to standard silicone (narrow or wide bores) etc. The sound signature changes a bit of course, but none of the tips bring the sibilance or treble to uncomfortable levels and some tips even make these sound neutral to me.The pre-installed tips are pretty nice, I dislike the usual "starline" KZ tips (S,M,L set of starline are also included and are softer than the starline that came with my ED16), however the pre-installed are only the single pair and they are medium size which is too small for me.Nozzle length is nice, housing is surprisingly compact, I would imagine it fits most ears.Interesting BA driver locations of the 2 mid BAs and 2 High BAs. 1 small BA in the nozzle. Second small BA off to one side of the dynamic but close to the nozzle's base. And 2 slightly larger BA off to the other side of the dynamic, also near the nozzle base. The BAs down by the dynamic form roughly 90 degree angle with the DD. Thought it was interesting compared to the pictures I've seen of the CCA C10 and old ZS10's BA setup.

I learned about these guys after coming up on a review here, not sure where, but they mentioned the ZS10 pro. I decided to take a look at these and the first thing I noticed was the sheer number of high ratings. Taking a look at what others had to say... so many of them were written like novels, giving so much insight and describing exactly what I had been looking for. I bit my lip. Literally. I could feel and imagine just how amazing this product is, so I gave into the temptation and bought them. They live up to those EXACT expectations, and I consider myself pretty picky.This reminds me SO much of my first pair of Shures, which were the SE 215s. I had made a significant upgrade after using many consumer level earphones. JBL, Sol Republic, Skull Candy, Apple. The Shures gave me an excellent impression of what it was like to experience music on a much more enlightened scale. Now, I am not a professional when it comes down to sound, but you could call me a... instinctive connoisseur of the things that make my dopamine go, and music is one of them. I wouldn't know how to word everything in a way that makes me seem like I know what I'm talking about, but these earphones make me feel SO good with what I'm listening to.Ironically my hearing is not so great, I've had a hearing impairment since age 5 but music takes a strong presence in my life. I am a metalhead and I love to hear every nuance in music. I have taken to loving punchy bass kicks and slappy snares. If I can hear both without it getting drowned out by the other, you've got my vote. So many earphones require adjusting on the EQ to balance everything out. These boys, just like the SE 215s are so badass they do NOT need EQ. I've plugged them directly into my phone and my computer and I've YET to have a single complaint about the EQ. NONE. I hear those bassy lows, those crisp highs. The lows are PUNCHY, but not too overbearing. So present and it does not get tangled with those highs. I can FEEL the slap of the snares hitting my eardrums and it makes me giddy. Even in songs where the guitar is not very present, it takes all that and brings it right up in your face. It's like the band is playing RIGHT in my ear. You know when they say "it sounds better live"? well... I think I prefer the band in the studio with these because they cover SO much ground that makes live shows pale in comparison. This is coming from someone who has been to SEVERAL concerts.These guys are a STEAL at this current price point and BLOW my current $500 Shure Aonic 5s out of the water and I am just... bewildered how I did not learn of these sooner. The build is very sturdy, the fit is comfortable, and I've been listening to music non-stop for the past several hours since they arrived. I also chipped in for the upgraded Tripowin cable and I have absolutely no words to express just how amazed I am. I have only one review other than this one that I've written out of the whole lifetime I've had Amazon prime and this product was so good I just HAD to share with others. If this is what Linsoul can do at a $50 price point... they could easily take the audio industry by storm. I shall watch your career with great interest.Save yourself the trouble of looking further and buy this.